TRASH to TARKOVSKY . . . essays on film.

November 11, 2021November 20, 2021 Nate Roscoe

SECOND TIME UNLUCKY: THE RIPPLES OF POST-TRAUMATIC STRESS IN JAWS 2

November 4, 2021November 6, 2021 Nate Roscoe

NOIR IN THE NINETIES: HOW THE OPPOSITE OF SEX RECONCEPTUALISED THE FEMME FATALE

April 21, 2021November 6, 2021 Nate Roscoe

LIFE OUT OF A SUITCASE: MY ENDURING VENERATION FOR VHS

March 23, 2021November 6, 2021 Nate Roscoe

THE DEVIL IS IN THE DETAIL: THE VISUAL KINSHIP OF ROSEMARY’S BABY AND THE PERFUME OF THE LADY IN BLACK

October 11, 2020November 6, 2021 Nate Roscoe

GROWING OLD DISGRACEFULLY: A DEEP DIVE INTO GRANDE DAME GUIGNOL

January 11, 2020November 20, 2021 Ronaldo Trancoso Jr

“DOES THAT MAKE SENSE OR IS THIS JUST IN MY MIND?” — HOW THE CONGRESS PREDICTED THE FUTURE

December 4, 2019November 6, 2021 Nate Roscoe

HO, HO, HUH? — THE BEWILDERING BEAUTY OF BLOOD BEAT

November 8, 2019November 20, 2021 Ronaldo Trancoso Jr

IT’S A SAD, WARM WORLD: HOW INVISIBLE LIFE INSPIRES YOU TO CONNECT

November 5, 2019November 6, 2021 Nate Roscoe

ON THE RIGHT TRACK: GOING LOCO FOR STEAM TRAINS IN THE MOVIES

June 13, 2019November 6, 2021 Nate Roscoe

DISSECTING THE SCENE: A MOMENT OF CLARITY IN JUNEBUG