I f there’s a mentality to which every single one of us can relate, it is that of not having accomplished enough in our adult lives. There appears to be a customary juncture, somewhere around the age of thirty, at which you are expected to “have it all”: successful career, busy social life, marriage, a…
‘Don’t Look in the Basement!’ — It’s Sad and Lonely Down There
T he relationship between psychiatry and the movies has long been fraught with failure. For every well-intentioned dive into the catacombs of mental illness, there are countless cinematic tales that have shirked authenticity for the zing of tone-deaf sensationalism. The backdrop of an asylum, particularly, has more than proved its worth as a wellspring of…
Second Time Unlucky: The Ripples of Post-Traumatic Stress in ‘Jaws 2’
I f there was one thing that hounded me in the weeks and months following the miseries I endured whilst in the ensnarement of a manipulative abuser, it was the fear of not being believed. A fear so scorching it made me question my own sanity. Had these heinous acts of emotional violence really occurred?…
Noir in the Nineties: Retconning the Femme Fatale in ‘The Opposite of Sex’
F or those who subscribe to such theories, the 1st of November marks the advent of the Feast of All Saints: a day upon which Roman Catholics commemorate the saints and martyrs who, throughout Christian lore, have been granted celestial residency. Log on to Twitter-dot-com at 00:00 this same day, however, and you will see…
Life Out of a Suitcase: My Enduring Love Affair With VHS
“M u-uum! Pur-leaaase!” I remember it like it was yesterday: our local independent video shop, its sharp fluorescent ceiling lights flooding down over twelve-year-old me and mother dearest, whose stern visage told that she was decidedly unimpressed by the ‘15’ rated videotape I was waving about in front of her. This was far from the…
The Devil Is in the Detail: The Visual Kinship of ‘Rosemary’s Baby’ & ‘The Perfume of the Lady in Black’
“I mitation is the sincerest form of flattery”, the brilliant Oscar Wilde once affirmed. An irrefutable game changer for big-screen scares, it’s no real surprise to spot the narrative crux and mesmeric visual witchery of 1968’s Rosemary’s Baby—Roman Polanski’s insidious reading of the satanic Ira Levin page-turner—looming large over The Perfume of the Lady in…
Growing Old Disgracefully: A Deep Dive Into Grande Dame Guignol
H agsploitation. Not the most flattering of terms, is it? For this writer at least, it conjures up a very specific set of images—antiquated wigs, smudged lipstick and eyeliner; maybe a facial wart and a set of rotting teeth—accompanied by the juxtaposed sounds of a cheery old-time record and a shrill, maniacal cackle. Scorned wives,…
Ho, Ho, Huh? — The Bewildering Beauty of ‘Blood Beat’
[An abridged version of the following piece appeared in 88 Films’ Limited Edition Blu-ray release of Christmas Evil (1980), issued December 2019.] I ’m willing to bet that you’ve never seen a stranger Christmas film than Blood Beat. In fact, you’ve probably never seen a more peculiar film full stop. A mystifying mood piece of…
On the Right Track: Going Loco for Steam Trains in the Movies
[An abridged version of the following piece appeared in 88 Films’ Limited Edition Blu-ray release of Terror Train (1980), issued November 2019.] M y love affair with locomotives began around the age of two. Picture the scene: a railway bridge shrouded in fog . . . the cry of an owl from afar . ….
Jesus Is Calling: A Moment of Clarity in ‘Junebug’
T here’s a key development in Phil Morrison’s forlorn 2005 dramedy, Junebug, that is so subtle it could almost go unnoticed. It comes during a parish get-together, where George (Alessandro Nivola, having been away for several years) is reunited with the throng of his Bible Belt hometown in North Carolina. During the festivities, George is…